Buy Coustic US-C100 2x50W AmplifierMost helpful customer reviews
0 of 0 people found the following review helpful.
By M. Brown
used this to power two aura pro bass shakers and it works very nicely, easy to connect wires to the terminals and the word lights up green on top of the amp for some style points.
Buy Gibson 1958 Les Paul Plain Top VOS Electric Guitar, Ice TeaThe Les Paul is one of the most influential guitars ever made, so it must have always been popular, right? Well, by the late '50s, the Les Paul had declined in popularity for whatever reason. In an effort to kick start sales, Gibson shed the Goldtop finish if favor of new translucent finishes that really showed off the beauty of the carved maple tops. The Gibson Custom Shop 1958 Les Paul Plain Top is a stunning recreation of the guitar that was hiding under the Goldtop finish. Built just like they were in 1958, the Les Paul Plain Top joins a solid mahogany body to a carved maple top and a long neck tenon mahogany neck. The result is a guitar that's just like the one you could've bought brand new in 1958. The 1958 Les Paul Plain Top is a beautiful instrument that you'll cherish for the rest of your life.
Most helpful customer reviews
0 of 0 people found the following review helpful.
By Arch
There's nothing that compares to playing a real Paul. The tone, even clean, is like a ripsaw tearing into the flesh of a shark. Wielding this axe is like chugging a baseball bat, but if you are in the market for a '58 specifically, that's probably what you want.I just want to quickly echo my experiences after buying this, with regards to the other guy's review.I've owned this guitar for 8 months, played for at least 20 hours a week, so you do the math.Fret issue:I haven't noticed any issue with degradation or tonality. I play a good amount of jazz, metal, working all over the fretboard and they all sound true and sustain great.Knob issue:I'm not sure what he means by "tough to turn" - I guess they're a little tighter than my strat but I'm pretty sure my grandmother could pull of a volume swell if she could manage to hold the 9 lbs of fury. I guess I don't do a lot of these in my play so its not an issue. I would rather the knobs be protected from the occasional bump and not have to readjust everything. I do want to note that, as with any high output pickup, there is a BIG difference between Volume - 10, and 9, and 8.8, 8.5. The upper end is very touchy, so dialing enough output to mesh well with your amp and other effects with take some getting used to. 10 just sounds trashy to me, I rarely go above 9, and I play plenty of metal and hard stuff. 10 is good for Jack White I suppose.As a sidenote, I play these with a Boogie Mesa 50 Combo, but I will eventually go for the Holy Grail of JCM + Paul. This guitar will sound good clean though near any amp though.
0 of 0 people found the following review helpful.
By robert louis duckworth
I got mine in 2008. Years ago, when I lived in San Francisco, a guy would show up at the jam sessions with a real '54 Goldtop. I asked him if I could play it and he said sure and handed it to me. The first thing I noticed was how round the neck was. It wasn't a "D" shape like most Gibson's are, it was very round in my palm. I really liked that feel and it stuck with me. I have 12 other Gibsons including a '63 Firebird, a '67 Trini Lopez Standard, an a '82 Moderne reissue. None had a neck like that, and the closest was my '76 Explorer. I have a '74 Les Paul Standard that is a fine now with a refret and Seymour Duncan Pearly Gates pickups I got in the late eighties when they were new on the market. I had a guitar to trade(Dot neck 335 reissue in cherry)and decided to check out one of these. It took a couple of weeks but my music store got in 3 of these Plaintop reissues. A gold one, a Darkburst one and one in Ice Tea. The first one I grabbed was this one, finished in "Ice Tea" and there it was.....that neck, like the '54. Big and round in my hand. I just stopped and said "This is it". I didn't even try the other ones. I can vouch that the Burstbuckers sound like proper PAF's. My brother had a real '60 ES 355 with cream bobbins(you could see it if you looked closely at the pole pieces. These pickups are not dense or heavy sounding. They have good treble and there is a certain "airy" quality to them. Also even though Burstbuckers are not potted, I have had them plugged into my '85 JCM 800 cranked up terribly loud and had no microphonic feedback issues at all. My favorite Les Paul players are Eric Clapton in the Bluesbreakers and Mike Bloomfield's work. I wanted a guitar like theirs, or at least as close as I could afford, and this is it. The only thing I changed right away was the plastic jackplate to a metal one. I had a plastic one on my '74 and it broke and I saw no reason to replace it with another plastic one, so metal ones are the way for me. I absolutely love this guitar now. Now I'm going to tell you the problems I DID have. Gibson touts that they PLEK their guitars frets and nut and it is the best that a computer can do. Well, that's fine but they don't finish the job and crown the frets after the PLEK treatment, so the guitar doesn't "ring" perfect. If your frets have a flat spot, you will get a warble in the upper register on the plain strings around the 12th fret and higher. Mine had that so if you find one that does this make a deal with the store to fix it before putting down ALL the money. Also(this took a couple of years)my front pickup had a cold solder joint. It would work, then it would quit, and when I took it to be repaired, it worked fine. It took 4 trips and finally the repair guy just resoldered the whole guitar. They only charged me once, but it was a bother. These guitars are microscopicly accurate to the late fifties Les Pauls. About the only other issue is the volume/tone knobs don't turn super easy, so volume swells are not a piece of cake. After the fret work and the solder situation I can honestly say this is my No.1 go to guitar. Tell you the truth, the idea of owning a real 58/60 Standard would be scary. Owning a guitar that people would literally kill you for.....not my idea of a quiet life. I'll just take this one. Also, if you want prettier wood on top, it can add a couple thousand to the price. This has the construction and the sound and the feel. That's all I wanted. Love it, love it, love it now.
Buy Etymotic Research HF5 Portable In-Ear Earphones (Ruby)Etymotic's 5th generation of high-fidelity in-ear earphones has finally arrived. The HF5 delivers a near-perfect music experience, even in high surrounding noise conditions. Like Etymotic's earlier generations of in-ear earphones, the HF5 is built on superior noise isolation, so you experience total sound immersion when listening to your music. The HF5 is compatible with all iPod models and music players that accept a 3.5mm plug. This package includes the HF5 in-ear earphones, assorted eartips for your comfort, a filter changing tool with filters, and a protective carrying pouch.
Most helpful customer reviews
26 of 27 people found the following review helpful.
By Taikero
Packaging: Simple packaging that wasn't difficult to get into. No tools/scissors required. No excessive plastic or cardboard.Included Items: HF5 IEM, Small Etymotic pouch, Standard Etymotic tri-flange tips, Baby blue tri-flange tips, Large dark grey foamies (not the mushroom type), Filter changing tool, Spare filtersCord: Seems sturdy enough. Has a slider above the "Y" junction. Shirt clip already on the cord. Cord doesn't seem too thin or too thick. Plug is straight instead of having a bent or "J" shape.Initial Impression: Good lord, I have to insert these deep to get a seal with the stock tips!Sound: Very clean. Bass is tight, fast, a little anemic for my taste, but definitely there and not completely disappointing. (Note to those who want warmer sound from these: With a small 4-5 dB boost in the 40-60 Hz range and a 2-3 dB boost in the 250-450 Hz range, the bass/low mid range is just about right) Mids are neutral. They don't sound either forward or recessed. Highs are fresh, airy, energetic, and crisp but without being piercing or shrill. These have the least sibilance I've heard from an IEM. I can only hear sibilance with "ch" sounds, not "s" or "sh". Even then it is barely detectable.Recommended Genres: Pretty much anything but hip hop. These sound great with vocals, piano (wow), guitar, and anything which doesn't require massive bass response. I suppose you could even do a few hip hop songs, but they have to have the bass pretty much built in to the song (such as Flo Rida's "Low"). Anything with bass that focuses on a warm, constant mid-bass + low, low (30 Hz or less) bass in the background (Hurricane Chris's "Hand Clap") with few bass spikes will not sound good with these.These are especially great for anything that requires a fast bass response (Metal/Symphonic Metal/"Fast" Rock) or energetic, airy highs (Pop/J-Pop/Guitar + Vocal/Classical/Orchestral). Or both! (Think of Ministry) I can't lavish enough praise on these for how well I think they render pianos. I literally want to reach out and start playing (my fingers unconsciously twitch!) whenever I hear a piano with the HF5.Soundstage: Honestly, the music is somewhat constrained here, probably in large part to how deep you have to insert these puppies. Your music isn't going to surround you or anything. The instrument separation is great with these, but the sound feels a bit like it's been squeezed into a small room (Maybe a small recording studio?). That or if you have these cranked loud enough you could consider that you're standing on the stage or in the first row instead of being in the crowd. Once in a while you'll be able to place something off to the side, but it won't be as often as with a fair number of other IEMs. This is also highly dependent on the quality of the seal you have. The better the seal, the better the soundstage is with these.Microphonics: Bad and lots. Luckily (and somewhat annoyingly) the shirt clip is attached straight out of the box!Isolation: Good and just okay. Good on first insert. Without music playing I can hardly hear conversation in the office, and even then it's an undecipherable mumble. After a period of time the seal loosens up a bit and it's more like a standard IEM, where you can listen to conversations if you want with no music playing, but it's not going to bother you while listening. I just had a coworker open a can of soda no more than 3 feet away from me and I could only hear it because I was listening for it (Listening to Eric Johnson's "East West", which isn't really a complex, loud song).IMPORTANT NOTE: Quality of seal is almost inversely proportionate to comfort if you have medium to large ears. This applies to stock tips only and will not be an issue with foam tips or your favorite tip that fits the Etymotic HF5 nozzle.Comfort: Starts off poor with the initial seal. These are a pain to get a seal with, and I don't really have large ears or ear canals. I generally use medium-sized tips on everything but my Klipsch Image X10. After the seal loosens up a bit (helps to yawn lightly), they aren't bad, but you'll know they're there.IMPORTANT NOTE: YOU CAN SLEEP WITH THESE ON! They rival the Klipsch Image X10 for comfort in this regard!Comfort - Tips: The HF5 tri-flange tips are interchangeable with Klipsch gels and Future Sonics bi-flanges. The sound stage improves with the Klipsch gels, as well as warming up the sound a bit.Overall Sound Quality: 4.5 out of 5, only because of the small soundstage and just-barely-too-low low end response.Overall Value: At the $99 I spent, 4.5 of 5. At MSRP of $150, I'd say 4 of 5. Microphonics (shirt clip not withstanding), no airplane/volume attenuator, lack of various tip sizes, diminished soundstage, and just-too-little low end response (for my taste) bring the HF5 down. However, the sound reproduction is excellent, and I am personally quite happy with the signature overall. With a slight EQ boost on the low end and low mids, these are a very enjoyable IEM. The Etymotic HF5 has the least sibilance I've heard from an IEM. Also, you can sleep with them on no problem. These were definitely worth my money.
10 of 10 people found the following review helpful.
By I. Nikhamin
After losing my noise canceling Audio Technica ATH-ANC7 headphones on a trip, I was miserable. I was forced to turn my music up to turn the outside world down. After 3 months, I just couldn't take it. Did a few days worth of research and decided on the HF5s finally.WOW!!!These earphones are exactly what I've always wanted, just never knew existed--excellent music inside my earplugs. I'm bad at handling noise that is out of place (neighbors stomping upstairs, blasting TV downstairs, extremely loud individuals on the subway (+ the subway noise itself), car alarms...). These guys completely block all of it out. I can sit and study in the middle of a cafeteria and not hear a soul. I'm no longer that grumpy old guy (24 is the new 75) that asks everyone to "pipe down you noisy kids." The noise isolation is so good that my wife constantly surprises me even if she's trying to get my attention--I just don't hear her calling me--as she comes up to me.As far as the sound quality goes, these are far superior to the AT (just like in the noise dept). There's no hiss of the noise cancellation and the music is just much more clear. So many little sounds are heard hat I just didn't know were part of the music or the show. I'm periodically turning around when I think someone's behind me--nope it's just the 3D sound that these things give off.PROS:*Sound Isolation. 10/10. I use extreme ear plugs and these are better (plus there's music inside).*Small Package. 10/10. Completely fit inside pinna (outer ear), so there's nothing protruding. Can sleep in these comfortably if so inclined.*Sound Quality. 9/10. I'm not at all an audiophile. I just hear much more detail in a lot of the music I have and the shows I watch. May seem a bit 'tinny' for some, but that's 'cause they're not dull and bassy.CONS (small issues):*3-flange earpieces. Will scrape ALL of your wax out if you don't really clean your ears. Get gunked up quick. Keep cleaning those ears.*3-flange earpieces. May be a bit uncomfortable if put in dry or slightly off. Have to make sure to push in all the way (stop BEFORE it hurts).*Rubbery cord. Kind of annoying. Grips tables, so it won't slide when you lean on it or try to push it over a bit with a textbook or something. Harder to untangle (not slippery).*Cord transmits movement sounds unless wrapped around ears. Should be preshaped or stiffer at the ears to make wrapping easier. Not perfect as is.*L/R designation written in least visible place on earphone--underneath, in thin white lettering. This is a pet peeve, the chords or phones can easily be marked by a tiny something to distinguish between them.Conclusion:These headphones provide me with complete noise isolation and excellent sound quality. They have been tested in cafes, NYC Subway, home, office. If you're looking for quiet, stop looking!!! Plus there's music inside!
11 of 14 people found the following review helpful.
By Wesley S. Rast
After reading several glowing reviews of these headphones, I ordered a pair here on amazon just a couple of weeks ago. Upon receiving them, I opened up the package, jammed them into my iphone and ears, and cranked up some of my favorite tunes.The first thing I was struck by was the understated bass. Bass guitar seemed to have vanished from every track I listened to. I was dismayed to find that bass solos sounded like they were coming through the wall from another room. This problem was identical with anything in the sub 500Hz range.On the flip side, the mid- and high-range was absolutely stellar. Vocals were detailed in ways I had not experienced before with my Etymotic 6i's, Shure's, or my new pair of Apple's next-gen in-ear 'phones.I figured that I'd get them to work, where I do most of my listening via Winamp on my PC. A little judicious work in the equalizer to make up the difference, and I'd be happy as a peach.Unfortunately, I was wrong. Adjusting the equalizer on any device I tried resulted in crackling bass as the signal overwhelmed the inadequate drivers in the HF5's. Adjusting bass down on my PC and my Harmon-Kardon home receiver eliminated the problem. Adjusting back up slowly would let the crackling creep back in. This happened regardless of the source music, so long as there was bass content to be had. I wasn't using anything so powerful as drum & bass music, either. Metallica's Death Magnetic tracks all exhibited the problem, and they're known for being bass-averse. Nine Inch Nails, Mudvayne, Seether, Breaking Benjamin and even trance tracks exhibited the issue.I am in the process of returning these. Anyone who enjoys music with accurate bass should stay far, far away from these earphones. I would only recommend these for someone who stuck to classical or jazz tracks, or wanted to listen to audiobooks.